Saved Search versus Smart Collection

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Today’s Question: I greatly enjoyed your class on “Find Any Photo” as part of the Lightroom Virtual Summit. One follow-up question: You mentioned that smart collections are like saved search results. You also talked about saving a search. When would you use one over the other?

Tim’s Quick Answer: In general, I would say that a smart collection is the better solution if you want the search to be more easily discovered and active across your entire Lightroom Classic catalog. A saved search is the better option when you want to search a particular folder or collection for photos that match specific criteria, rather than searching across your entire catalog.

More Detail: I think it is a good analogy to think of a smart collection as a saved search result. After all, you create a smart collection by specifying the search (or filter) criteria you want to use for the smart collection. For example, you might create a smart collection for “Best Sunsets” that includes photos that have “sunset” as a keyword with a star rating of 3-stars or more. This smart collection would then automatically include all photos in your entire catalog that match both criteria.

Similarly, you could specify the same criteria using the Library Filter bar, and then save those filter settings using the popup at the top-right of the Library Filter bar (or at the top-right of the filmstrip). The key difference is that when you select a saved search with the Library Filter bar, the filter criteria will only be applied based on the current folder or collection.

If you are browsing the “All Photographs” collection in the Catalog section of the left panel in the Library module when you select a saved search from the Library Filter bar, then the results will be the same as a smart collection with the same criteria. However, you could also navigate to a particular folder or collection first so that only photos in the location you’re currently browsing that also match the filter criteria will be displayed.

So, both a smart collection and a saved search are effectively saved searches. The only real difference is scope. A smart collection searches across your entire catalog unless you’ve included a folder or collection location as part of the filter criteria. A saved search on the Library Filter bar will only show images that match the specified criteria in the location you’re currently browsing.

Pixology Magazine October 2022

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The October 2022 issue of Pixology magazine is now available, featuring the following articles:

  • Questions for Improvement: How asking yourself questions can help you capture better photos.
  • Mapping in Lightroom Classic: Keep track of where your photos were captured using the map in Lightroom Classic.
  • Texture Overlays in Photoshop: A simple but flexible approach to adding creative textures to a photo.
  • Continuous Shooting: Tips for choosing an option on your camera for continuous shooting.
  • Photo Story: Wrong Time: The “wrong” time turned out well when photographing a familiar subject.

Pixology magazine is included in the GreyLearning Ultimate Bundle, and is also available as a standalone subscription here:

https://www.greylearning.com/courses/pixology-magazine

Photoshop Subscription Alternatives

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Today’s Question: I have a desktop [older] version of Photoshop 6 and don’t want a subscription. I tried Lightroom but didn’t like it. Wondering if the new version of Photoshop Elements is a better alternative with updated features beyond Photoshop 6? Any experience or thoughts appreciated.

Tim’s Quick Answer: Photoshop Elements is a reasonable alternative to Photoshop for photographers, though it does lack some of the power of Photoshop. I do think the Adobe Creative Cloud Photography Plan (https://timgrey.me/ccplans) represents a good overall value for photographers. If you don’t want a subscription plan, another option worth looking at is Affinity Photo (https://affinity.serif.com/en-us/photo/).

More Detail: There are a variety of software tools that aim to compete on some level with Adobe Photoshop. In fact, there are several new entrants to the market that I am currently evaluating and will be reporting on soon.

In the meantime, I think Affinity Photo may be a better solution for photographers than Photoshop Elements in terms of providing more features that are closer to the power of Photoshop. You can learn more about Affinity Photo here:

https://affinity.serif.com/en-us/photo/

Of course, I also think it makes sense for photographers to consider getting past the understandable frustration of the subscription model for software, especially considering that such a large number of software tools are now available only via subscription. You can learn more about the options for the Creative Cloud Photography Plan here:

https://timgrey.me/ccplans

Backup Drive Storage

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Today’s Question: How far apart, physically, from each other do you keep the two backup drives?

Tim’s Quick Answer: I recommend keeping backup copies of your data at two different locations, though for my local backups I do keep all copies at my office when I’m not traveling. I supplement this local backup, however, with an online backup using Backblaze (https://timgrey.me/onlinebackup).

More Detail: Under ideal circumstances I recommend keeping copies of your local backups of photos and other important data at two separate physical locations. In practice, of course, this is not always particularly feasible.

For my local backups I do keep the original and both backup copies in separate rooms at my office, though I do have the partial comfort of the fact that the building is protected by fire sprinklers. I should keep an additional local copy at my storage unit across town, but the reality is that I don’t.

When I’m traveling (which is significantly less than it used to be due to the pandemic) I carry the original and one backup for my key data, leaving another backup at my home office.

It is less than ideal to keep all backup copies at the same physical location in terms of the potential for losing all data should the location itself be seriously damaged or destroyed. While I should add an additional backup at a different location, I instead supplement my local backups with an online backup using Backblaze (https://timgrey.me/onlinebackup).

Admittedly, at times the online backup will lag behind my local backup since the online backup by its nature requires an internet connection. However in practice since I’m not adding a significant amount of data at any given time and my internet connection is quite fast, my online backup is able to keep up with my ongoing data production. The initial backup with Backblaze can require considerable time, but ongoing backup updates generally won’t take much time at all.

Using a third-party service for a remote backup isn’t quite perfect in terms of not being able to personally manage that data storage, but in the context of my overall backup workflow I’m comfortable with the system I’ve implemented. After all, so far (knock on wood) the only reason I’ve had to recover from a backup is that a drive has failed (multiple times) or because I’ve accidentally deleted files (this is rare, fortunately).

At some point if I do experience a catastrophic data loss at home, I’m sure I’ll get more serious about maintaining backup copies at multiple physical locations that I directly control. But for now I feel that my backup workflow is working very well for me.

Backup Excluding System Files

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Today’s Question: I’m in the process of creating my first GoodSync backups of both my C drive [with the operating system] and my internal Photos drive (E). If I need to restore my main hard drive as you described in the Sept. 27 newsletter, is it really as simple as plugging in the backup drive? Another colleague said the backup was not a bootable drive, meaning it would not allow me to start the machine. Thanks for any clarification.

Tim’s Quick Answer: Recovering from a failed bootable hard drive would not be as simple as simply installing the backup drive in place of the failed drive if you had used software such as GoodSync (http://timgrey.me/greybackup) to create a synchronized backup. For secondary drives (such as the E: drive in this example) the synchronized backup would provide an easy recovery solution.

More Detail: If the bootable hard drive that contains the operating system were to fail (on either a Windows or Macintosh computer) recovery would not be as simple as replacing the failed drive with the backup drive. Rather, a recovery process would be necessary, which could involve installing the operating system fresh. This is something I would recommend in any event because the failed drive could have created corruption issues that would be reflected in the backup as well.

You can recover from a full system backup using tools provided as part of the operating system. For Windows that means using the Backup and Restore feature in the System and Maintenance section of Control Panel. For Macintosh users that means maintaining a Time Machine backup of the system hard drive. In both cases these backups can streamline the recovery process, but that will still involve an actual restore process rather than just swapping out a hard drive.

For non-bootable hard drives that only contain user data, a GoodSync backup will indeed enable you to simply swap out the failed drive with a backup drive, and then make sure the replacement drive has the same drive letter (Windows) or volume label (Macintosh) so that data will still be found where it is expected for software such as Lightroom Classic.

You can still use GoodSync to back up your personal data on the system hard drive, such as the documents, pictures, and downloads folders. However, I do not recommend backing up the entire system hard drive with GoodSync. In fact, in the latest version of GoodSync in won’t even allow you to create a backup that includes all system files.

So, for data-only drives you can create a backup that is a clone of the original drive using GoodSync, and recovering from a failure will be simple. For the bootable system drive you can back up your personal data, and recovery would involve copying that data again to the system drive after you have recovered the operating system and applications to that drive.

Starting Monday: Lightroom Virtual Summit

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I am delighted to be presenting three classes as part of the Lightroom Virtual Summit, which is a free online event that starts Monday and runs from October 3rd through the 7th.

I’ll be presenting on “Streamlined Image Review”, “Automating Optimization”, and “Find Any Photo”, all focused on Lightroom Classic. My classes are just three out of a total of 45 classes from a variety of instructors. Best of all, you can attend all of the online classes for free from virtually anywhere with an internet connection.

In addition to the free registration there is also a VIP Pass option, which provides you with lifetime access to recordings of all presentations, and a variety of special VIP bonus content and benefits. That includes class notes from all instructors, my own bonus class on “Top Tips for Finding Photos in Lightroom Classic”, and much more.

You can register for free and learn about the special VIP Pass, by following this link:

https://timgrey.krtra.com/t/U9PuWgJeiMlF

Television as Second Monitor

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Today’s Question: I have a TV set up as a second display that I sometimes use when editing photos, but the quality of the TV display for editing is poor. Are there any products you know of that can function as a decent monitor for photo editing and also be used as a television?

Tim’s Quick Answer: You can treat a computer monitor and television as being the exact same thing as long as the necessary features are included for both ways you intend to use the display.

More Detail: From the standpoint of the display itself, a computer monitor and television can be thought of as being exactly the same type of device. The real difference relates to connections and features. In other words, one display can be used as both a computer monitor and a television if you buy the right display.

On the computer side things tend to be a bit simpler. You just need to be sure the monitor includes an input that will be supported by your computer. For most recent model computers that means an HDMI connection, which is available in the vast majority of displays sold as computer monitors or televisions. If your computer only supports something other than HDMI, just be sure the display you purchase includes a supported input type.

There are some other features you may want to have included in the display in order to use it as a television. For example, you might want to have built-in speakers so you can listen to television without the need for an audio accessory.

You may also need the display to have a coaxial input if you’re using cable for your television input. You may also need to have either an Ethernet port or WiFi support if you’ll use Smart TV features such as with online streaming services.

I think the easiest way to think of the right solution here is to purchase a television that includes an HDMI port you can use for your computer. That may mean you want a television with at least two HDMI ports, so you have a port for the television signal input as well as for the computer. Most televisions include at least two if not more HDMI ports, so this is an easy issue to solve for.

In general I would suggest getting a relatively small television for this purpose, since you’ll likely be relatively close to the display when using it as a computer monitor. That would generally mean opting for a 32-inch television, for example, though you could certainly use a larger display if you’ll be sitting a bit of a distance from it when using it with your computer.

You can find one example of a 32-inch television that supports 4K resolution and could certainly be used as both a television and monitor display here:

https://bhpho.to/3UDBDZv

Exporting with Folder Structure

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Today’s Question: I am considering converting my Lightroom photographs which are largely in raw format to JPEG images and storing them on a portable hard drive. I would like to bring the folder structure with the photographs so that the hard drive contains the same description of photos that I have in Lightroom. I know I can export the photos in each folder. Can you suggest a more efficient method to achieve my goal?

Tim’s Quick Answer: While there are approaches you could use in Lightroom Classic to accomplish this goal, I think the best option is to use the “Folder Publisher” plugin created by Jeffrey Friedl, which you can find here:

http://regex.info/blog/lightroom-goodies/folder-publisher

More Detail: Lightroom Classic includes an export feature, obviously, which provides considerable flexibility in terms of creating copies of original images that are saved outside the context of your catalog. There is even an option to add the exported photos back to the catalog if you had a reason to do that.

However, the export feature in Lightroom Classic doesn’t provide a way to duplicate the existing folder structure for the exported copies of photos, other than to store all exported copies in the same folder as the original. It is possible to save photos in the original folder, so that you could even select all photos in the entire catalog and export copies in a different file format, with each exported copy being saved in the same folder as the original image.

That would work in terms of creating additional copies of your photos in the same folder structure, but would not enable you to create a separate folder structure for the exported photos that matched the folder structure of the originals but in a different storage location.

Fortunately, there is a plugin for Lightroom Classic that enables you to export photos and retain the original folder structure while saving the exported copies in a different location than the original photos, which is exactly the aim outlined in today’s question. That plugin is called “Folder Publisher”, and was created by Jeffrey Friedl, who has also created a variety of other helpful plug-ins for Lightroom Classic.

You can learn more about the “Folder Publisher” plugin here:

http://regex.info/blog/lightroom-goodies/folder-publisher

Note that this plugin uses a “donationware” license. The plugin is free to use, but after six weeks the features become restricted. You can get a full license with a donation of any amount you choose.

Problem with iPhone 14 Captures

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Today’s Question: I just upgraded my iPhone to the new iPhone 14 Pro, mainly to take advantage of the RAW image options. When I set the image size to 12 MP, I have no problem acquiring images, transferring them to Lightroom on my laptop, and then working with the images. When I switch settings to acquire a 48 MP image, the image looks fine on the phone, and it looks normal in the tiny image preview on my laptop after I airdrop the image. However, when I then open the image in either Lightroom Classic or Photoshop, the image is MUCH darker than how it appeared on my camera – at least 2 stops darker, maybe more. This is happening with every 48 MP image, but never with a 12 MP image. Help! What is happening?

Tim’s Quick Answer: You can solve this issue by changing the Profile (in the Basic section of adjustments) to “Apple ProRaw”. I suspect the issue will be fixed in a future update from Adobe.

More Detail: Adobe has indicated that the iPhone 14 is not yet officially supported as a camera for Lightroom Classic or Photoshop. At the moment, iPhone 14 captures created with the raw 48-megapixel setting appear very dark in Lightroom Classic (and Photoshop). Images captured with the 12-megapixel setting appear normally.

Changing the profile to “Apple ProRaw” corrects the issue, providing correct interpretations of the iPhone 14 captures. In particular, updating the profile will correct the dark appearance of the 48-megapixel captures without changing the brightness of the 12-megapixel captures. The Profile popup is found near the top of the Basic section on the right panel in the Develop module.

Note, by the way, that you can use the automatic synchronization feature in Lightroom Classic to update all photos, whether it is for the profile as in this case or for other types of adjustments. Start by selecting the photos you want to apply the adjustment too, and then in the Develop module turn on the “Auto Sync” switch found on the left side of the Sync button at the bottom of the right panel. With that option enabled all changes made will synchronize to all selected photos.

Recovery from Synchronized Backup

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Today’s Question: You’ve written about using a synchronization approach to backing up your photos, but what exactly is involved in recovering from such a backup when a hard drive fails?

Tim’s Quick Answer: With a backup created via synchronization, such as with the GoodSync (http://timgrey.me/greybackup) software I use and recommend, recovery can literally be as simple as using a backup drive in place of the failed original.

More Detail: Today’s question is topical for me, as I just had another hard drive fail last week. While the hard drive that failed was my primary drive for my most important data other than my photos, the hard drive failure didn’t cause me any concern at all. The only real consequence was that I needed to buy a new hard drive so I would still have two backups in addition to the primary drive.

Because I use GoodSync (http://timgrey.me/greybackup) to back up my external hard drives, each backup represents an exact match of the original data, with all files and folders in the exact same structure as on the primary drive. Therefore, when a hard drive fails, all I need to do is connect a backup drive and start using it as the primary.

If the failed drive is being used to store photos that are managed by Lightroom Classic, there is one additional step required so that the hard drive will match what Lightroom Classic is expecting. For Macintosh users that simply means changing the volume label for the hard drive to match that of the original, which can be done by simply right-clicking on the drive and choosing Rename. For Windows users you’ll need to assign the same drive letter to the new drive as had been assigned to the original drive, which can be done with Disk Management utility.

While the recovery from a backup created with software such as GoodSync is remarkably easy, it is important that you make sure to replace the failed hard drive with a new backup. I always maintain at least two backup copies of each hard drive and rotate between the backups. When a drive fails, I still have a backup, but then I buy another hard drive so I will again have two backups along with the original.